Karen Tintori - Author

Karen Tintori

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Karen Tintori knew she'd be a writer from age twelve. As a child, she walked ten blocks to the public library, checked out as many books as she could carry between her interlocked fingers and her chin, read them quickly and returned for another stack.

Before she was 13, she'd read the entire children's section and bristled when the librarians would not permit her to borrow books from the adult section until she was of age. Patience was a lesson she'd begin to learn early--the librarians invited her, instead, to re-read the children's section.  

Is your book club reading one of Karen's books? Feel free to drop her a note to arrange a phone or Skype call to join your group's discussion. Karen loves hearing from her readers, enjoys traveling to meet them, and welcomes speaking invitations. 

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Many thanks to the listener of Erik Rivenes's Most Notorious Podcast who suggested he read TRAPPED: THE 1909 CHERRY MINE DISASTER. Taken with my account of the United States's worst coal mine fire, its human drama, the vast changes in labor, child labor, mining and mine safety legislation that followed, Rick invited me to talk about the disaster. I'm pleased to join the list of impressive guests he's featured, and fascinated by Erik's choice of topics to bring to his listening audience.

I love that nearly 20 years since TRAPPED was published, this important story is still generating interest. I've always likened the tragedy to Titanic in a coal mine. It was while sitting in the theater watching that film that I decided I had to write this book. Although the disaster occurred not 100 miles from Chicago, it is surprising how little attention this historic event has received, even within Illinois. Comparable in era and impact to The Triangle Shirtwaist Fire, the disaster at Cherry took the lives of immigrant workers trapped in flames they could not escape. Cherry, now home to perhaps 500 residents, lacks the visibility of Manhattan, where students and professors commemorate the dead seamstresses yearly with well attended projects and events. 

Perhaps one day, professors and students in Illinois will join with the descendants of Cherry's victims and survivors at the yearly November anniversary memorial, to help broaden the memory of Cherry's immigrant miners, and the lessons learned in the disaster's aftermath. 

Here is the link to my conversation with Erik: Most Notorious: TRAPPED.

The June 24 Festa di San Giovanni -- the Feast of St. John the Baptist -- is a holiday celebrated by Italians in numerous cities since pre-Medieval Times. In some cities today, the celebration can last two to three days, with markets, and festivities each day. On the evening of June 23 bonfires are lit, nascent green walnuts are gathered from the trees, and the evening dew is collected in barrels and from the grass since it is believed to be imbued with magical powers. Tied to the Summer Solstice, this feast of a Catholic saint retains numerous pagan underpinnings. The bonfires are a reminder of those lit on the shores of Genoa to welcome St. John's relics to the city in 1098. In ancient days, the harvest of black walnuts while the husk is still tender and green to make a liqueur called Nocino was done by young virgins who climbed the trees, knocking down the nuts and then spreading them across the fields to absorb the evening's magic dew. Quartered the next day, then infused in a bath of alcohol and spices for six months, the green nuts produce a wonderful, rich, dark liqueur. Luckily for me, my son and daughter-in-law have a huge walnut tree in their front yard, and I get to make Nocino from the nuts my grandtwins collect for "Nonnie."

Pagan practices and Catholic traditions meld in this holiday. The night of the 23rd, also tied to the Divine Feminine, is an auspicious night for healers. The water collected from the dew is symbolic of St. John's baptismal waters. The streghe -- the healers, the white witches -- would collect the potent evening dew, adding herbs and other ingredients to make new batches of potions and ointments, leaving these mixtures outside overnight to soak up the energy of the moon. Some of this precious water was infused with flower petals overnight in the belief that washing one's face with the mixture on the morning of the 24th brought good luck and renewed beauty and protection from malocchio -- the evil eye. 

Italian proverbs say that anything can happen and everything can be remedied on this night, especially love. St. John's Eve was a time for divination of love by young men and women, who would drop molten lead into cold water and then interpret the hardened shapes left behind. In the alternative, should no lead be available, and you'd like to try this for yourself, you could separate an egg white from its yolk, drop it into a glass of water and leave it on your windowsill overnight on June 23. Bubbles floating at the top the next morning are a sign that you will find a mate who is comely, wealthy and simpatico, or "nice." An image of a church is a good omen, but not one indicating you will get married within the year. No images in the water? Better luck next St. John's Eve. 

I love the way the Italians have incorporated the pagan and the Catholic rituals to make unique rituals all their own, and have featured some in my other novels, including the traditional method for determining whether someone has been cursed with the evil eye. The Festa di San Giovanni and the search for the Divine Feminine play a crucial role in my work in progress, a novel titled now as The Goddess of Eden. Anything and everything does happen on this auspicious evening to my protagonist, Lia, as the festival bonfires trigger her to relive a childhood tragedy that changed the trajectory of her life. 

Aglio olio is one of the quickest -- and most simply delicious -- Italian dishes to prepare.  All you need is fresh garlic (the aglio) and olive oil (the olio) plus salt, black pepper, red pepper if you wish, and some pasta. Any variety of pasta will work. 

For our book club dinner, I used: 6 cloves of garlic: four minced, two crushed in a garlic press;  3 Tablespoons pomace olive oill;* 1/2 lb durum semolina spaghetti, imported from Italy; salt, black pepper to taste; premium, full-bodied olive oil for finishing the dish (I use Frantoia or Olio Verde, imported  from Italy.); red pepper flakes to taste -- optional; Parmesan cheese -- optional.

DIRECTIONS: Sautée the minced and crushed garlic in the 3 Tablespoons of olive oil in a large frying pan on medium-low heat until the garlic is just turning from golden to brown.  Remove from the flame and set aside.

Boil the pasta in heavily salted water for about 7-8 minutes for spaghetti (exact time will differ if you're using rigatoni or a thicker pasta that requires more cooking time). Rule of thumb is to use water as salty as the sea and to undercook the pasta two minutes less than the directions advise. I like to finish cooking pasta in the sauce, whether a simple aglio olio or a marinara, adding to the pan some of the water in which I slightly under-boiled my pasta.

Meanwhile, drizzle high quality olive oil in the bottom of your serving dish to coat it -- about 2 Tablespoons should do the trick.

When the pasta has a bit more tooth to it than when it would be fully al dente, scoop the pasta from the boiling water with a sieve or a straining ladle and add it to the pan with the sauteed garlic. Return the pan to heat on a low flame and stir the pasta to coat with the garlic and oil. Add about 1/2 cup of the salted water in which you boiled the pasta and simmer on low until the water is absorbed. 

Transfer the cooked pasta into the serving bowl, adjust salt to taste, add the black pepper and red pepper flakes if desired, and toss to combine. At this point feel free to drizzle on a bit more premium olive oil if the pasta looks too "dry."  

Serves four to five as a first course. Buon appetito!

* pomace olive oil is sold online and in some grocery stores/Italian markets. Pomace is perfect for cooking, and is easier on the budget than the robust premium olive oil you'd use to punch up the flavor of salad or pasta

Many thanks to Stephanie Longo and Ovunque Siamo for the generous praise in her review of Unto The Daughters, which reads, in part:

"This book should be required reading in any Italian-American History class, as well as anyone wishing to study the female’s role in the Italian family. This book, while not an exercise in journalism, could also prove beneficial to students of the craft as Ms. Tintori’s prior training in the field served her well while untangling her great-aunt’s mystery."

"Unto the Daughters proves that all stories of our ancestors deserve to be told, the good, the bad and the ugly…and perhaps that is Francesca Costa’s legacy to us all."

You can read Longo's entire review here.

If you are an educator using Unto the Daughters in your curriculum, I would love to know. I have visited several classrooms both in person and via Skype. Grazie tanto. 

 

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